London based artist and teacher of art and moving images.http://www.joelnewman.org Vimeo

MADDER139
 
 
GUY ALLOTT
 SUPER STATES
 

18 May – 28 June 2012
Opening 17 May (6pm – 9pm)
MADDER139
 
 
GUY ALLOTT
 SUPER STATES
 

18 May – 28 June 2012

Opening 17 May (6pm – 9pm)


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MADDER139
 

LINDA ALOYSIUS
NEW MODEL ARMY
 

Closes on 28 April 2012
MADDER139
 

LINDA ALOYSIUS
NEW MODEL ARMY
 
Closes on 28 April 2012

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LINDA ALOYSIUS - NEW MODEL ARMY
15 MARCH 2012 - 28 APRIL 2012





http://www.madder139.com/

LINDA ALOYSIUS - NEW MODEL ARMY

15 MARCH 2012 - 28 APRIL 2012


http://www.madder139.com/

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MADDER139 We are pleased to announce our participation in Volta NY where we shall be exhibiting new drawings by Paul Chiappe
137 - 139 Whitecross Street and Playhouse Yard, London, EC1Y 8JL +44 (0)20 7490 3667 www.madder139.com 

MADDER139


 We are pleased to announce our participation in Volta NY
 where we shall be exhibiting new drawings by Paul Chiappe

137 - 139 Whitecross Street and Playhouse Yard, London, EC1Y 8JL +44 (0)20 7490 3667 www.madder139.com 

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MADDER139
GL BRIERLEY“Matersatz”Madder139 is delighted to announce the first solo exhibition in the Gallery of British artist GL Brierley.  She currently has work in the Walker Gallery, Liverpool as part of the John Moores Painting Prize and the Liverpool Biennial and has previously shown nationally and internationally including at the Whitechapel Gallery, London, The Louise T Blouin Foundation, London, Natalia Goldin, Stockholm and Whitebox, New York.For more information please contact Debbie Carslaw at info@madder139.com
Open Thursday – Sunday 12–6pm 
No.1 VYNER STREET LONDON E2 9DG
 (by appointment only 139 WHITECROSS STREET LONDON EC1Y 8JL)
+44 (0)20 8980 9154 www.madder139.com 

MADDER139

GL BRIERLEY
“Matersatz”
Madder139 is delighted to announce the first solo exhibition in the Gallery of British artist GL Brierley.  She currently has work in the Walker Gallery, Liverpool as part of the John Moores Painting Prize and the Liverpool Biennial and has previously shown nationally and internationally including at the Whitechapel Gallery, London, The Louise T Blouin Foundation, London, Natalia Goldin, Stockholm and Whitebox, New York.

For more information please contact Debbie Carslaw at info@madder139.com

Open Thursday – Sunday 12–6pm 

No.1 VYNER STREET LONDON E2 9DG

 (by appointment only 139 WHITECROSS STREET LONDON EC1Y 8JL)

+44 (0)20 8980 9154 www.madder139.com 

0 notes

MADDER139
 

FRANCES YOUNG
“Sites of Transition”
19th February – 28th March 2010
(Opening  18th February  6 – 9 pm)
In the spring of 2008 Frances Young hitched a ride across the USA with an all girl rock band, recording her road journey as she went from East to West with a video camera. She later returned to New York to commence a residency at the Experimental Television Center where she re-scanned, colourized, sequenced and further fragmented parts of her video by using early analogue equipment.
The results of Young’s work are a personal re-encountering of landscapes reminiscent of American road movies; and a continual shift between the recorded image, its re- presentation, and the texture of the medium. In “Black Hills Sequencer”, this flickering shift occurs in the spaces between the movement of windscreen wipers, which slice the image rather like the blink of an eye. “Wyoming, Always” uses the horizontal movement of a CCTV camera scan, simultaneously recording and interrupting the footage and creating a sense of spatio-temporal disjuncture.
Alongside this work, Young will also show ‘Oscillate 01’, an abstract piece constructed from voltage-controlled video sections that merge as audio-visual parts of a whole. Letting sound lead the direction of its composition, it is as much an audio piece as a video with no seperation between the two.
In the lower space, Young will be showing her work, ‘Song of Farewell’ (2007), a digital video projection which uses slowed footage of starlings flying to and from a deserted rollercoaster as dusk is falling. The piece moves through a cycle of changing light and plays as a loop- the cyclical looping echoing the physical structure of the rollercoaster and the circular, repetitive flight patterns of the birds. The rhythmic loop of vinyl end-static provides the sound; an ending without end, at times suggestive of the beating of wings or the sound of a heartbeat. Its analogue texture and insistent repetition creates a dialogue with the digital footage, steering the pace and tempo of the piece.
Frances Young received a MA in Fine Art from Wimbledon College of Art, University of the Arts London, in 2007. Her work explores transition and shift as both process and subject; records and re-constructs transitions through time and place; and parallels this with transitions across analogue and digital media, re-contextualising the outmoded within contemporary frameworks. Her work has been shown in numerous exhibitions and screenings, including, Anticipation: An Exhibition of London’s best emerging artists, (Ultralounge, 2008) Le:60 Film Festival, (Cambridge, MA, USA, 2008), and Future50, (PSL, Leeds, 2008).
All analogue processing for her new work was done at the Experimental Television Center, Owego, New York. Founded in 1971, the Center contains some unique and historic pieces of equipment.
For further information please contact Debbie Carslaw at info@madder139.comMADDER139Open Thursday – Sunday 12–6pm or by appointment
No.1 VYNER STREET LONDON E2 9DG  +44 (0) 20 8980 9154  www.madder139.com

MADDER139

FRANCES YOUNG

“Sites of Transition”

19th February – 28th March 2010

(Opening  18th February  6 – 9 pm)

In the spring of 2008 Frances Young hitched a ride across the USA with an all girl rock band, recording her road journey as she went from East to West with a video camera. She later returned to New York to commence a residency at the Experimental Television Center where she re-scanned, colourized, sequenced and further fragmented parts of her video by using early analogue equipment.

The results of Young’s work are a personal re-encountering of landscapes reminiscent of American road movies; and a continual shift between the recorded image, its re- presentation, and the texture of the medium. In “Black Hills Sequencer”, this flickering shift occurs in the spaces between the movement of windscreen wipers, which slice the image rather like the blink of an eye. “Wyoming, Always” uses the horizontal movement of a CCTV camera scan, simultaneously recording and interrupting the footage and creating a sense of spatio-temporal disjuncture.

Alongside this work, Young will also show ‘Oscillate 01’, an abstract piece constructed from voltage-controlled video sections that merge as audio-visual parts of a whole. Letting sound lead the direction of its composition, it is as much an audio piece as a video with no seperation between the two.

In the lower space, Young will be showing her work, ‘Song of Farewell’ (2007), a digital video projection which uses slowed footage of starlings flying to and from a deserted rollercoaster as dusk is falling. The piece moves through a cycle of changing light and plays as a loop- the cyclical looping echoing the physical structure of the rollercoaster and the circular, repetitive flight patterns of the birds. The rhythmic loop of vinyl end-static provides the sound; an ending without end, at times suggestive of the beating of wings or the sound of a heartbeat. Its analogue texture and insistent repetition creates a dialogue with the digital footage, steering the pace and tempo of the piece.

Frances Young received a MA in Fine Art from Wimbledon College of Art, University of the Arts London, in 2007. Her work explores transition and shift as both process and subject; records and re-constructs transitions through time and place; and parallels this with transitions across analogue and digital media, re-contextualising the outmoded within contemporary frameworks. Her work has been shown in numerous exhibitions and screenings, including, Anticipation: An Exhibition of London’s best emerging artists, (Ultralounge, 2008) Le:60 Film Festival, (Cambridge, MA, USA, 2008), and Future50, (PSL, Leeds, 2008).

All analogue processing for her new work was done at the Experimental Television Center, Owego, New York. Founded in 1971, the Center contains some unique and historic pieces of equipment.




For further information please contact Debbie Carslaw at info@madder139.com

MADDER139

Open Thursday – Sunday 12–6pm or by appointment

No.1 VYNER STREET LONDON E2 9DG  +44 (0) 20 8980 9154  www.madder139.com

0 notes